by Gerry RoeCoralville - On entering the little theatre in the Children’s Museum for Dreamwell’s production of Death of a Salesman we see a room apparently set up for a rehearsal. A table and some chairs, curtains represent doors, and that’s about it. But then the players arrive, heralded by the melancholy sounds of a solo flute, to bring the play to life, to transcend the limited physical aspects of their space, to remind us or to introduce us to the greatness of what we are about to see.
Arthur Miller’s 1949 script was awarded the Pulitzer prize and a Tony for best play of 1949. The production directed by Elia Kazan, with Lee J. Cobb and Mildred Dunnock, and an iconic two-story set by Jo Mielziner, firmly established Miller and the play as significant developments in American theatre. The role of Willy Loman has been inhabited by Dustin Hoffman, Brian Dennehy, Phillip Seymour Hoffman, and hundreds of other actors in countless professional, academic, and amateur productions.
