Photos by Elisabeth Ross
| Brad Quinn as Chas and Logan Natvig as Dalton. |
The Trestle at Pope Lick Creek is Naomi Wallace's Depression-era tale of two teens and their struggle to assert some sort of identity in a hopeless world. At the same time, it explores the effects of economic downturn on the older characters. Dreamwell's production, directed by Chuck Dufano, opened at the Universalist Unitarian Society this weekend.
As the plot, which is somewhat nonlinear, develops, we learn that Dalton (Logan Natvig) is accused of killing Pace (Adeara-Jean Maurice). We learn that Chas (Brad Quinn), Dalton's jailer, had a son who had been captivated -- and killed -- by Pace's obsessions with the train that crosses the trestle at Pope Lick Creek. Pace was training Dalton to run the train. She was also teaching him about love, and how being human means coming to terms with the urgent need to see and be seen by others. As Pace's bizarre story unfolds, Dalton opens up about her philosophy that shattered his world, and how he can never be put back together the same way again.
It's a play of shadows and mirrors, and the story of Dalton's parents, Gin (Meg Dobbs) and Dray (Steven Polchert) mirrors his own. They were once teenagers in love in the same dead-end town, with the same desperation to overcome inertia and become something completely different. But Dray has been laid off and Gin will be any day now, and they're turning out to be nothing but empty. Gin wants to save their relationship, but Dray is completely broken. The subplot showcases Wallace's unabashedly socialist politics and, at the same time, gives us an idea of where Dalton and Pace might have gone.
